David Newbould 2015

A demonstration of pen sketch and watercolour wash by David Newbould

Sketch using brown felt tip pens

 

 Trees created from dark scribble and light quarter tone using depleted pen

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Stonework added at edges and slates with broken lines

Colour washes applied to sky and trees. The ink proved to be not permanent! Pink edges!

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Multiple colour washes applied and green pastel to cover unwanted pink. Finished painting

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Sample paintings displayed by David Newbould

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Exhibition May 2015

Sample of members’ paintings shown at the exhibition. All framed paintings can be seen by clicking on “Exhibition 2015” on the menu.

Lacock, Wiltshire by Bob Rawson

Lacock, Wiltshire by Bob Rawson

Hellebores 1 by Barbara Place

Hellebores 1 by Barbara Place

Predator by Kay Naylor

Predator by Kay Naylor

Whitby Harbour by Sue Myers

Whitby Harbour by Sue Myers

Amy Rose by Brian Boulton

Amy Rose by Brian Boulton

New York in the Rain by Douglas Woodard

New York in the Rain by Douglas Woodard

Winter Sun by Dorothy Vincent

Winter Sun by Dorothy Vincent

Donkey by Sue Myers

Donkey by Sue Myers

Dan in Profile by Wendy Murgatroyd

Dan in Profile by Wendy Murgatroyd

Mother's Pride by Alan Mathers

Mother’s Pride by Alan Mathers

Head Study by Christine Lancaster

Head Study by Christine Lancaster

Frankie the Owl, May 2015

Frankie the owl at Farsley Art Club.

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owl in flight

Paintings of Frankie the Owl in progress

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Members’ Exhibition 2015

Farsley Art Club – Member’s Exhibition – May/June 2015

exhibition invite

The exhibition will have over 130 paintings in a variety of subjects, styles and mediums.
Further details >  2015 exhibition.

Bruce Mulcahy seascape in acrylic 2015

Bruce Mulcahy gave a demonstration using artist quality acrylic, applied with a fairly small white nylon brush, on 200lb cold pressed Bockingford watercolour paper with a slightly rough random texture.

Bruce sketched the position of the main shapes from the photograph of boats in Staithes beck. He established the dark areas with a “black” made from cobalt blue and burnt umber.

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Bruce, working from dark to light, painted the similar areas of colour across the scene, creating a unified painting.

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Bruce worked through the painting methodically adding the larger areas, a light cobalt blue sky, grass and light sand.

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In the short time available, Bruce added detail to the houses and painted the boats.

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Painting at end of demonstration, needing an hour or so to refine.

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Painting by Bruce Mulcahy

These painting were displayed as examples during Bruce Mulcahy’s demonstration at Farsley Art Club.

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Jeremy Taylor oil demonstration 2015

Landscape demonstration in oil paint on board.  The board was covered in a thin coat of Liquin so that the oil paint will spread without added turps or thinners and for quicker drying time.
The board was prepared with a basecoat of burnt umber acrylic so that some could be allowed to show through to brighten and unify the painting.
Jeremy applied the oil directly with small flat nylon brushes in a short multi directional strokes.

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Darker blues dabbed in with narrow brush.

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Dark mountains and terrain added and then Jeremy softened the clouds by dusting with a soft bristle brush, removing hard edges.

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Jeremy applied some creamy white dabs on the clouds, soften the edges and then applied a near white with a small pallet knife, then soften those cloud edges.

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Painting at the end of the demonstration.

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Palette and brushes

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Jeremy Taylor paintings 2015

A selection of paintings displayed by Jeremy Taylor during a demonstration at Farsley Art Club.

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Jeremy Taylor

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Jeremy Taylor

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Jeremy Taylor

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Jeremy Taylor

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Jeremy Taylor

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Jeremy Taylor

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Jeremy Taylor

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Jeremy Taylor

Portrait evening Feb 2015

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Jake Attree – oil pastels 2015

Demonstration at Farsley Art Club by Jake Attree. The source was a detailed tonal pen sketch of a landscape, as illustrated below. Mr Attree used short stroke hatching, often vertical, to build up picture elements.  The oil pastel painting is illustrated, although not finished.
Also illustrated are some tonal pen drawings from Mr Attree’s sketchbook and some of his recent oil pastel paintings.

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Jake Attree demonstrating

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Tonal pen sketch for oil pastel painting

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Oil pastels

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Demonstration landscape (in progress) in oil pastels by Jake Attree

Sketchbook – pen sketch by Jake Attree

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Sketchbook – pen study by Jake Attree

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Sketchbook – pen study by Jake Attree

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Sketchbook – pen study by Jake Attree

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The Canal at Hebden Bridge in oil pastel by Jake Attree

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York Minster – Five Figures – oil pastel by Jake Attree

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Montpelier Parade, Harrogate – oil pastel by Jake Attree

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Weeping Aspen – St George’s Garden – oil pastel by Jake Attree